French film icon Brigitte Bardot dies at 91
French film icon Brigitte Bardot, one of the most influential screen sirens of the 20th century, has died at the age of 91. Reported by 1news.
Bardot passed away yesterday at her home in southern France, according to Bruno Jacquelin of the Brigitte Bardot Foundation for the Protection of Animals. Speaking to the Associated Press, Jacquelin did not disclose the cause of death and said no funeral or memorial arrangements had yet been announced. The actor had been hospitalised last month.
Rising to international fame in the 1950s, Bardot became a global sensation after starring as a sensual young bride in the 1956 film And God Created Woman, directed by her then-husband Roger Vadim. The film sparked controversy for its provocative scenes, including moments that challenged conservative social norms of the time.
With a career spanning more than two dozen films and three marriages, Bardot came to embody a France breaking free from bourgeois restraint. Her tousled blonde hair, voluptuous figure, and unapologetic presence made her one of the country’s most recognisable and talked-about stars, even as she privately battled depression.
Her cultural impact was so profound that in 1969, her likeness was chosen as the model for Marianne, the national symbol of the French Republic. Her face went on to appear on statues, coins, and postage stamps across the country.
Paying tribute, French President Emmanuel Macron wrote on X, “We are mourning a legend.”
After stepping away from acting, Bardot devoted herself fully to animal rights activism — a chapter of her life that proved as polarising as her film career. She famously travelled to the Arctic to protest the killing of baby seals, condemned animal testing, and campaigned against the use of animals in religious slaughter practices.
“Man is an insatiable predator,” Bardot told The Associated Press on her 73rd birthday in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”
Her advocacy earned widespread recognition in France, and in 1985 she was awarded the Legion of Honor, the country’s highest civilian distinction.
Brigitte Bardot leaves behind a legacy that reshaped cinema, challenged social conventions, and sparked decades of debate — both on screen and far beyond it.
Turn to the far right
Later, however, she fell from public grace as her animal protection diatribes took on a decidedly extremist tone.
She frequently decried the influx of immigrants into France, especially Muslims.
She was convicted and fined five times in French courts of inciting racial hatred, in incidents inspired by her opposition to the Muslim practice of slaughtering sheep during annual religious holidays
Bardot’s 1992 marriage to fourth husband Bernard d’Ormale, a onetime adviser to far-right National Front leader Jean-Marie Le Pen, contributed to her political shift.
She described Le Pen, an outspoken nationalist with multiple racism convictions of his own, as a “lovely, intelligent man.”
In 2012, she supported the presidential bid of Marine Le Pen, who now leads her father's renamed National Rally party.
Le Pen paid homage Sunday to an “exceptional woman” who was “incredibly French.”
In 2018, at the height of the #MeToo movement, Bardot said in an interview that most actors protesting sexual harassment in the film industry were “hypocritical,” because many played “the teases” with producers to land parts.
She said she had never had been a victim of sexual harassment and found it “charming to be told that I was beautiful or that I had a nice little ass.”
Privileged but ‘difficult’ upbringing
Brigitte Anne-Marie Bardot was born September 28, 1934, to a wealthy industrialist. A shy child, she studied classical ballet and was discovered by a family friend who put her on the cover of Elle magazine at age 14.
Bardot once described her childhood as “difficult” and said that her father was a strict disciplinarian who would sometimes punish her with a horse whip.
Vadim, a French movie produce who she married in 1952, saw her potential and wrote “And God Created Woman” to showcase her provocative sensuality, an explosive cocktail of childlike innocence and raw sexuality.
The film, which portrayed Bardot as a teen who marries to escape an orphanage and then beds her brother-in-law, had a decisive influence on New Wave directors Jean-Luc Godard and François Truffaut, and came to embody the hedonism and sexual freedom of the 1960s.
The film was a box-office hit, and it made Bardot a superstar. Her girlish pout, tiny waist and generous bust were often more appreciated than her talent.
“It’s an embarrassment to have acted so badly,” Bardot said of her early films. “I suffered a lot in the beginning. I was really treated like someone less than nothing.”
Bardot’s unabashed, off-screen love affair with co-star Jean-Louis Trintignant eradicated the boundaries between her public and private life and turned her into a hot prize for paparazzi.
Bardot never adjusted to the limelight. She blamed the constant media attention for the suicide attempt that followed 10 months after the birth of her only child, Nicolas. Photographers had broken into her house two weeks before she gave birth to snap a picture of her pregnant.
Nicolas’ father was Jacques Charrier, a French actor who she married in 1959 but who never felt comfortable in his role as Monsieur Bardot. Bardot soon gave up her son to his father, and later said she had been chronically depressed and unready for the duties of being a mother.
“I was looking for roots then,” she said in an interview. “I had none to offer.”
In her 1996 autobiography “Initiales B.B.,” she likened her pregnancy to “a tumour growing inside me,” and described Charrier as “temperamental and abusive.”
Bardot married her third husband, West German millionaire playboy Gunther Sachs, in 1966, and they divorced three years later.
Among her films were “A Parisian” (1957); “In Case of Misfortune,” in which she starred in 1958 with screen legend Jean Gabin; “The Truth” (1960); “Private Life” (1962); “A Ravishing Idiot” (1964); “Shalako” (1968); “Women” (1969); “The Bear And The Doll” (1970); “Rum Boulevard” (1971); and “Don Juan” (1973).
With the exception of 1963’s critically acclaimed “Contempt,” directed by Godard, Bardot’s films were rarely complicated by plots. Often, they were vehicles to display Bardot in scanty dresses or frolicking nude in the sun.
“It was never a great passion of mine,” she said of filmmaking. “And it can be deadly sometimes. Marilyn (Monroe) perished because of it.”
Bardot retired to her Riviera villa in St. Tropez at the age of 39 in 1973 after “The Woman Grabber.”
As fans brought flowers to her home Sunday, the local St. Tropez administration called for "respect for the privacy of her family and the serenity of the places where she lived."
Middle-aged reinvention
She emerged a decade later with a new persona: An animal rights lobbyist, her face was wrinkled, and her voice was deep following years of heavy smoking.
She abandoned her jet-set life and sold off movie memorabilia and jewellery to create a foundation devoted exclusively to the prevention of animal cruelty.
Depression sometimes dogged her, and she said that she attempted suicide again on her 49th birthday.
Her activism knew no borders. She urged South Korea to ban the sale of dog meat and once wrote to US President Bill Clinton asking why the US Navy recaptured two dolphins it had released into the wild.
She attacked centuries-old French and Italian sporting traditions, including the Palio, a free-for-all horse race, and campaigned on behalf of wolves, rabbits, kittens and turtle doves.
“It’s true that sometimes I get carried away, but when I see how slowly things move forward ... my distress takes over,” Bardot told the AP when asked about her racial hatred convictions and opposition to Muslim ritual slaughter,
In 1997, several towns removed Bardot-inspired statues of Marianne after the actress voiced anti-immigrant sentiment. Also, that year, she received death threats after calling for a ban on the sale of horse meat.
Environmental campaigner Paul Watson, who was beaten on a seal hunt protest in Canada alongside Bardot in 1977 and campaigned with her for five decades, acknowledged that “many disagreed with Brigitte’s politics or some of her views.”
“Her allegiance was not to the world of humans,” he said. “The animals of this world lost a wonderful friend today.”
Bardot once said that she identified with the animals that she was trying to save.
“I can understand hunted animals, because of the way I was treated,” Bardot said. “What happened to me was inhuman. I was constantly surrounded by the world press.”
French film icon Brigitte Bardot, one of the most influential screen sirens of the 20th century, has died at the age of 91. Reported by 1news.
Bardot passed away yesterday at her home in southern France, according toBruno Jacquelinof the Brigitte Bardot Foundation for the Protection of Animals....
French film icon Brigitte Bardot, one of the most influential screen sirens of the 20th century, has died at the age of 91. Reported by 1news.
Bardot passed away yesterday at her home in southern France, according to Bruno Jacquelin of the Brigitte Bardot Foundation for the Protection of Animals. Speaking to the Associated Press, Jacquelin did not disclose the cause of death and said no funeral or memorial arrangements had yet been announced. The actor had been hospitalised last month.
Rising to international fame in the 1950s, Bardot became a global sensation after starring as a sensual young bride in the 1956 film And God Created Woman, directed by her then-husband Roger Vadim. The film sparked controversy for its provocative scenes, including moments that challenged conservative social norms of the time.
With a career spanning more than two dozen films and three marriages, Bardot came to embody a France breaking free from bourgeois restraint. Her tousled blonde hair, voluptuous figure, and unapologetic presence made her one of the country’s most recognisable and talked-about stars, even as she privately battled depression.
Her cultural impact was so profound that in 1969, her likeness was chosen as the model for Marianne, the national symbol of the French Republic. Her face went on to appear on statues, coins, and postage stamps across the country.
Paying tribute, French President Emmanuel Macron wrote on X, “We are mourning a legend.”
After stepping away from acting, Bardot devoted herself fully to animal rights activism — a chapter of her life that proved as polarising as her film career. She famously travelled to the Arctic to protest the killing of baby seals, condemned animal testing, and campaigned against the use of animals in religious slaughter practices.
“Man is an insatiable predator,” Bardot told The Associated Press on her 73rd birthday in 2007. “I don’t care about my past glory. That means nothing in the face of an animal that suffers, since it has no power, no words to defend itself.”
Her advocacy earned widespread recognition in France, and in 1985 she was awarded the Legion of Honor, the country’s highest civilian distinction.
Brigitte Bardot leaves behind a legacy that reshaped cinema, challenged social conventions, and sparked decades of debate — both on screen and far beyond it.
Turn to the far right
Later, however, she fell from public grace as her animal protection diatribes took on a decidedly extremist tone.
She frequently decried the influx of immigrants into France, especially Muslims.
She was convicted and fined five times in French courts of inciting racial hatred, in incidents inspired by her opposition to the Muslim practice of slaughtering sheep during annual religious holidays
Bardot’s 1992 marriage to fourth husband Bernard d’Ormale, a onetime adviser to far-right National Front leader Jean-Marie Le Pen, contributed to her political shift.
She described Le Pen, an outspoken nationalist with multiple racism convictions of his own, as a “lovely, intelligent man.”
In 2012, she supported the presidential bid of Marine Le Pen, who now leads her father's renamed National Rally party.
Le Pen paid homage Sunday to an “exceptional woman” who was “incredibly French.”
In 2018, at the height of the #MeToo movement, Bardot said in an interview that most actors protesting sexual harassment in the film industry were “hypocritical,” because many played “the teases” with producers to land parts.
She said she had never had been a victim of sexual harassment and found it “charming to be told that I was beautiful or that I had a nice little ass.”
Privileged but ‘difficult’ upbringing
Brigitte Anne-Marie Bardot was born September 28, 1934, to a wealthy industrialist. A shy child, she studied classical ballet and was discovered by a family friend who put her on the cover of Elle magazine at age 14.
Bardot once described her childhood as “difficult” and said that her father was a strict disciplinarian who would sometimes punish her with a horse whip.
Vadim, a French movie produce who she married in 1952, saw her potential and wrote “And God Created Woman” to showcase her provocative sensuality, an explosive cocktail of childlike innocence and raw sexuality.
The film, which portrayed Bardot as a teen who marries to escape an orphanage and then beds her brother-in-law, had a decisive influence on New Wave directors Jean-Luc Godard and François Truffaut, and came to embody the hedonism and sexual freedom of the 1960s.
The film was a box-office hit, and it made Bardot a superstar. Her girlish pout, tiny waist and generous bust were often more appreciated than her talent.
“It’s an embarrassment to have acted so badly,” Bardot said of her early films. “I suffered a lot in the beginning. I was really treated like someone less than nothing.”
Bardot’s unabashed, off-screen love affair with co-star Jean-Louis Trintignant eradicated the boundaries between her public and private life and turned her into a hot prize for paparazzi.
Bardot never adjusted to the limelight. She blamed the constant media attention for the suicide attempt that followed 10 months after the birth of her only child, Nicolas. Photographers had broken into her house two weeks before she gave birth to snap a picture of her pregnant.
Nicolas’ father was Jacques Charrier, a French actor who she married in 1959 but who never felt comfortable in his role as Monsieur Bardot. Bardot soon gave up her son to his father, and later said she had been chronically depressed and unready for the duties of being a mother.
“I was looking for roots then,” she said in an interview. “I had none to offer.”
In her 1996 autobiography “Initiales B.B.,” she likened her pregnancy to “a tumour growing inside me,” and described Charrier as “temperamental and abusive.”
Bardot married her third husband, West German millionaire playboy Gunther Sachs, in 1966, and they divorced three years later.
Among her films were “A Parisian” (1957); “In Case of Misfortune,” in which she starred in 1958 with screen legend Jean Gabin; “The Truth” (1960); “Private Life” (1962); “A Ravishing Idiot” (1964); “Shalako” (1968); “Women” (1969); “The Bear And The Doll” (1970); “Rum Boulevard” (1971); and “Don Juan” (1973).
With the exception of 1963’s critically acclaimed “Contempt,” directed by Godard, Bardot’s films were rarely complicated by plots. Often, they were vehicles to display Bardot in scanty dresses or frolicking nude in the sun.
“It was never a great passion of mine,” she said of filmmaking. “And it can be deadly sometimes. Marilyn (Monroe) perished because of it.”
Bardot retired to her Riviera villa in St. Tropez at the age of 39 in 1973 after “The Woman Grabber.”
As fans brought flowers to her home Sunday, the local St. Tropez administration called for "respect for the privacy of her family and the serenity of the places where she lived."
Middle-aged reinvention
She emerged a decade later with a new persona: An animal rights lobbyist, her face was wrinkled, and her voice was deep following years of heavy smoking.
She abandoned her jet-set life and sold off movie memorabilia and jewellery to create a foundation devoted exclusively to the prevention of animal cruelty.
Depression sometimes dogged her, and she said that she attempted suicide again on her 49th birthday.
Her activism knew no borders. She urged South Korea to ban the sale of dog meat and once wrote to US President Bill Clinton asking why the US Navy recaptured two dolphins it had released into the wild.
She attacked centuries-old French and Italian sporting traditions, including the Palio, a free-for-all horse race, and campaigned on behalf of wolves, rabbits, kittens and turtle doves.
“It’s true that sometimes I get carried away, but when I see how slowly things move forward ... my distress takes over,” Bardot told the AP when asked about her racial hatred convictions and opposition to Muslim ritual slaughter,
In 1997, several towns removed Bardot-inspired statues of Marianne after the actress voiced anti-immigrant sentiment. Also, that year, she received death threats after calling for a ban on the sale of horse meat.
Environmental campaigner Paul Watson, who was beaten on a seal hunt protest in Canada alongside Bardot in 1977 and campaigned with her for five decades, acknowledged that “many disagreed with Brigitte’s politics or some of her views.”
“Her allegiance was not to the world of humans,” he said. “The animals of this world lost a wonderful friend today.”
Bardot once said that she identified with the animals that she was trying to save.
“I can understand hunted animals, because of the way I was treated,” Bardot said. “What happened to me was inhuman. I was constantly surrounded by the world press.”









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